Sunday, January 7, 2018
2018 marks the fifth year of The Unrehearsed Shakespeare Project, produced by NRTC since 2016. While everything in a young theatre’s life is a milestone, five years is a pretty big marker, and we are excited and grateful to be here.
For our fifth tour, we will demonstrate how, as Shakespeare once said, ‘all the world’s a stage.’ As you Like it and The Life of Henry the Fift display fantastic examples of role-playing in different facets of our lives. They display how we play different characters for one another, and the personas we create for ourselves. When, why and for whom do we put on these characters?
In As you Like it Shakespeare gives us one of his most beloved heroines: Rosalind. Initially dressing as a man for safety in exile, Rosalind’s persona, Ganimed, ends up instructing Orlando, the man whom she loves (and who loves her in return – yet is incapable of seeing through her disguise), how to woo the woman for whom he pines (herself). A woman playing a man, pretending to be a woman - a part that was originally played by a boy - presented on the stage speaks to the play-acting facet of our lives in a very fun way. This is also the text that gives us the famous speech by Jaques, the forest-wandering cynic and philosopher, for which this season is named and which is so well-remembered by many from high school English class. By far As you Like it has the most music of any play NRTC has produced to date, ensuring that this play will entertain.
The Life of Henry the Fift speaks to role-playing of a different nature. Young Henry’s reign and reputation are tested against the raucous image he projected as a youth. He must present himself as the King his people need him to be. Two of the best-known speeches of this play, indeed of Shakespeare’s canon, are exhilarating examples of political theatre: ‘Once more unto the Breach, / Dear friends…’ and the St. Crispan’s Day speech. Are they propaganda to inspire the troops, or strong words to convince himself? Removed from the common people he associated with before ascending to the throne, Henry disguises himself as a rank-and-file soldier on the eve of battle to discover what his people really think of him. He even reverts back to playing pranks as he was wont to do with his pals in Eastcheap. But which is the real Henry: the prankster, or the prince? What does he gain by the parts he plays?
Continuing with our theme that ‘all the world’s a stage,’ and starting our season off in February, NRTC will extend our geographical reach to New York City. We are co-producing a staged reading of Twelfth Night, or What You Will with Holla Holla Productions, directed by NRTC Co-Founder Elizabeth Ruelas. Company Member Nick Benninger will be traveling to the Big Apple to take part in the reading. In this story of love, loss and reunion, Viola pretends to be a man and the servant Malvolio becomes someone he thinks someone else wants him to be. Along with taking USP to Artscape in Baltimore for the last three years, this is the next step in realizing our goal of offering our company members opportunities to perform in diverse markets outside of Pittsburgh. If you will be in New York on February 24 & 25, be sure to check out the show.
Think about what roles you play in your day-to-day dealings with other people. Who do you play them for? Why? When are you a mother? When are you a wife? When are you a friend? What is the difference? But please don’t think about it too hard at the show. We invite you to come and have a good time. The only role you need to play with us is as an audience member – and we’ll be sure to remind you of that.
-Andy Kirtland, Artistic Director